Editorial Product Review:Amazon.com:Here's the film of a novel nobody liked in high school (but probably succumbed to when they read it in later life, as they should). Based on the book by Edith Wharton, it's one of those repressed romances of longing and regret carried out in real time and real life. Liam Neeson plays the humble Ethan, manipulated into marrying a plain and sickly woman (Joan Allen, every bit as good as she is in
The Contender), who still manages to dominate him. When she grows so ill that Ethan requires help to care for her, they import her poor cousin (Patricia Arquette), who sparks thoughts in Ethan that never occurred to him with his wife. Neeson has a great fire within, as he confronts an array of possibilities that simply remain out of reach because the alternative is unthinkable in this tight-knit New England community. Arquette bubbles with life, while Allen can freeze blood at 100 paces with one of her icy glances. Slow-moving at times but worth it for the final payoff. Directed by John Madden (
Shakespeare in Love).
--Mark Englehart
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Customer Rating: 
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Very Poor Rendering of My All-Time Favorite Book
Ethan Frome is the most poignant, beautiful, tragic story I've ever read, and is by far Edith Wharton's best work. Yet somehow, despite the fact that Liam Neeson plays the title role and does very well, the filmmakers managed to do a poor job conveying this story.
The decision to replace the book's level-headed, sympathetic introducer of the story with a whiny-voiced, invasive preacher was ridiculous. Patricia Arquette's rendition of Mattie Silver(my favorite female character of all time!!) was completely wrong, although she did have a few good moments. Arquette didn't have the dark hair or the luminous beauty of Mattie, and her acting did almost no justice whatsoever to Mattie's simple but profound character. The nervous laughing in particular drove me crazy. Mattie needs to be portrayed by someone who can fully express her personality -- so warm, intelligent, and vibrant against the wintry cold setting and Ethan's equally frigid wife, Zeena. Ethan's character also needed further exploring through better dialogue and visual story-telling.
Joan Allen was pitch perfect as Zeena, Ethan's abominable hypochondriac wife. If they ever do another film version of this story, I'd want to bring her back. But again, they needed to play up Zeena's manipulative, vindictive, withholding, and silently watchful side even more than they did in order to increase the tension in the household as Ethan and Mattie become increasingly inseparable.
There are two things that I take the most serious issue with in this film. One -- Mattie and Ethan do NOT have sex in the book. At any time. They kiss, in one of the most sensual moments in all of literature, but they do not have sex, Wharton makes it quite clear. Which is why their story is so pure, so poignant, so frustrated, and so desperate. And in this film, they do sleep together, twice. One of those scenes is an appropriately sensual, tense moment, and the other is very sad and desperate but also very... weird and somewhat disturbing. But my point is that changing a crucial factor of the plotline and character development works against the film -- if they were looking for greater intensity, they actually undercut it. Ethan and Mattie sleeping together, especially with so little on-screen development of their romance, makes their love story look more like a lust story and takes away the gorgeous tension of the book.
Which brings me to number two -- the build-up to the lovers' attempted suicide is the most emotionally intense literature I have ever read. The film needs to make it clear that Ethan and Mattie are blocked at every turn by grinding poverty and social boundaries from being able to escape together. A screen adaptation of this book needs to make their love so palpable, so fathomless, that the audience completely understands that they have no alternative BUT suicide if they want to stay together. And then that scene needs to be tremendous.
Finally, this book reads like the most gorgeous cinema you could ever encounter -- and a film version ABSOLUTELY MUST be visually stunning, drawn-out, and poignant with the most sumptuous direction, cast, cinematography, color palette, and music that can be found. And this version just didn't cut it, I'm very sorry to say.
Customer Rating: 
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Ethan Frome
I am in LOVE with Liam Neeson. Now, that being said, this is still a wonderful film. The acting is very good. The story, by Edith Wharton,is a tragedy and ends tragically. But it's beautiful nevertheless. The setting is so wonderfully New England, chilly and gray at times. So get out a box of tissues, a platter of chocolate chip cookies for comfort, and sit back uninterrupted to watch this film. You'll be aware that you are watching a classic.
Customer Rating: 
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Ethan Frome
Though there are differences between the book and film, this version is creative and engaging.
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Great movie
I never read the book, so I was very surprised by the ending. I loved the movie. I thought Liam Neeson did a great job as usual.