Editorial Product Review: essential video:Garry Marshall (Pretty Woman) directs the screen adaptation of Terence McNally's play Frankie and Johnny at the Clair de Lune, the story of a short-order cook (Al Pacino) who drives a waitress (Michelle Pfeiffer) crazy with his adamant courtship and mixed messages. The film is okay and not much more than that, the major stumbling block being Marshall's failure to scrub away enough star veneer on Pacino and Pfeiffer to accept them as minimum-wage drones with nowhere to go but toward each ...
Editorial Product Review: essential video:When Stanley Kubrick recruited Arthur C. Clarke to collaborate on 'the proverbial intelligent science fiction film,' it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story 'The Sentinel,' 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of ...
Editorial Product Review: :The first of Universal's all-star monster tag-team bouts, House of Frankenstein boasts Dracula, the Wolf Man, and Frankenstein's monster, plus a menacing mad scientist (played with hammy glee by Boris Karloff) and his hunchbacked assistant (J. Carroll Naish). It's really more like two films. Karloff and Naish escape prison and find the skeleton of Dracula, resurrecting the dapper vampire (played by a dignified John Carradine) and unleashing him on an unsuspecting town. In the second half, the not-so-good doctor investigates the ruins of Castle ...
Editorial Product Review: :Pamela Sue Martin kicked off the goody two shoes from her Nancy Drew image to play the feisty farm girl with Hollywood dreams who walked out of the Biograph on the arm of John Dillinger the night he was killed by the FBI. John Sayles wrote this depression-era gangster drama, loosely based on the real story of Polly Hamilton (renamed Polly Franklin for the film), and stuffs plenty of sex and social commentary around a surprisingly faithful recounting of the real-life event. Martin transforms ...
Editorial Product Review: :Pamela Sue Martin kicked off the goody two shoes from her Nancy Drew image to play the feisty farm girl with Hollywood dreams who walked out of the Biograph on the arm of John Dillinger the night he was killed by the FBI. John Sayles wrote this depression-era gangster drama, loosely based on the real story of Polly Hamilton (renamed Polly Franklin for the film), and stuffs plenty of sex and social commentary around a surprisingly faithful recounting of the real-life event. Martin transforms ...
Editorial Product Review: essential video:When Stanley Kubrick recruited Arthur C. Clarke to collaborate on 'the proverbial intelligent science fiction film,' it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story 'The Sentinel,' 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of ...
Editorial Product Review: essential video:You know that old dramatic principle of suspension of disbelief? You'll have to rely on it for this box-office smash, but you won't be disappointed. Harrison Ford plays a U.S. president who single-handedly employs his rigid antiterrorism policy when a band of Russian thugs hatch a mid-flight takeover of Air Force One. Gary Oldman, who chews the scenery as the lead terrorist, will shoot a hostage at the slightest provocation. Glenn Close plays the sternly pragmatic vice president who negotiates with Oldman ...
Editorial Product Review: :'It's Hep! It's Hot! It's Hilarious!' reads the tagline for Orchestra Wives, a frothy slice of celluloid made in 1942 and featuring the great Glenn Miller Band. And that tagline is, well, sort of true. As is often the case with films of this genre (musical comedy with the occasional touch of drama), the story is largely superfluous: a naïve, smalltown girl (Ann Rutherford) falls for a fast-talking, smooth-playing trumpeter (George Montgomery); he proposes after spending, oh, about fifteen minutes with her (and before ...
Editorial Product Review: essential video:When Stanley Kubrick recruited Arthur C. Clarke to collaborate on 'the proverbial intelligent science fiction film,' it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story 'The Sentinel,' 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of ...
We've covered in too much detail how it's some sort of "open season" on Vonage when it comes to VoIP patents. After dealing with ridiculous and expensive patent lawsuits from companies who failed to actually innovate in the same way Vonage did, the company was pressured by Wall Street to quickly settle the various patent lawsuits filed against the company. Of course, rather than settle matters, that simply opened the door for other companies to go searching through their patent portfolios to see if there was anything they could sue Vonage over. Indeed, following those settlements it didn't take long for AT&T to dig up a patent and sue -- which was quickly settled as well. Thought things were over? No such luck. Nortel just showed up last month to sue and it took all of about a week and a half for Vonage to settle that case as well.
The Nortel case is slightly different because Vonage actually already had a patent infringement lawsuit going against Nortel, but it wasn't really initiated by Vonage. Instead, it had been initiated by a patent holding firm that Vonage bought in 2006. The end result of the settlement doesn't involve money changing hands, but just a cross licensing agreement for the patents. So what's the big lesson that Vonage and others have learned from this? It's certainly got nothing to do with innovating. It's to hoard as many patents as possible so that you have your own nuclear stockpile for when someone else sues you. Want to know why the USPTO is overwhelmed? It's not because there aren't enough examiners (as some will claim) or that there aren't enough funds. It's because the way the system now works is that you are supposed to file patents on every tiny little advancement so you can use it to protect yourself against lawsuits from everyone else. That's not about innovation. It's about waste. In the meantime, since it's still open season at Vonage, who's going to be next? There are a ton of other patents in the VoIP space that can surely be used in a lawsuit, right?
Small and light enough for a shirt pocket, Samsung's Helix YX-M1 is a one-stop audio entertainment center with an XM radio, a digital music player, and room for 50 hours of tunes, but it comes up short on battery life.
This raw work-flow application isn't the Holy Grail many hoped it would be, but Apple Aperture 1.5 could make life easier for photographers who need to cull, retouch, and output large numbers of photographs quickly and efficiently.