Editorial Product Review:Description:A pair of con men are obliged to help a social worker set some kids on the right track. :The last, and least, film in the so-called Uptown trilogy, this 1977 buddy comedy is preachier than its more rollicking predecessors, Uptown Saturday Night and Let's Do It Again. It begins like The Sting, but then veers into To Sir, with Love territory, as Dave (Bill Cosby), a safecracker, and Manny (Sidney Poitier), a con man, are blackmailed by a retired detective (James Earl Jones, who would achieve pop-culture immortality that ...
Editorial Product Review: :The first of many in a series depicting the harrowing prison existence of a convict who uses his wits and fists to survive. Leon Isaac Kennedy's character is thrown deep into the bowels of the prison system, where the only consistent truth is kill or be killed. To show his strength and gain respect from the other inmates, Kennedy must distinguish himself as a boxer, taking on all comers to save his own skin and regain his pride as a human being. Surprisingly effective in its harsh detailing of violent ...
Editorial Product Review: :The first of many in a series depicting the harrowing prison existence of a convict who uses his wits and fists to survive. Leon Isaac Kennedy's character is thrown deep into the bowels of the prison system, where the only consistent truth is kill or be killed. To show his strength and gain respect from the other inmates, Kennedy must distinguish himself as a boxer, taking on all comers to save his own skin and regain his pride as a human being. Surprisingly effective in its harsh detailing of violent ...
Editorial Product Review: :The first of many in a series depicting the harrowing prison existence of a convict who uses his wits and fists to survive. Leon Isaac Kennedy's character is thrown deep into the bowels of the prison system, where the only consistent truth is kill or be killed. To show his strength and gain respect from the other inmates, Kennedy must distinguish himself as a boxer, taking on all comers to save his own skin and regain his pride as a human being. Surprisingly effective in its harsh detailing of violent ...
Editorial Product Review: :After scoring a hit with the Eddie Murphy-Nick Nolte cop thriller 48 Hours, director Walter Hill returned to the buddy formula with this half-ridiculous, half-invigorating action flick about humorless Russian cop Ivan Danko (Arnold Schwarzenegger). He follows a drug dealer from Moscow to Chicago, where he's matched up with city cop Art Ridzik (James Belushi), whose work ethic is considerably more relaxed. Most of the humor revolves around Danko's grumpy reaction to good ol' American capitalism, while Ridzik urges him to chill out. Red Heat is not bad as action ...
Editorial Product Review: :After scoring a hit with the Eddie Murphy-Nick Nolte cop thriller 48 Hours, director Walter Hill returned to the buddy formula with this half-ridiculous, half-invigorating action flick about humorless Russian cop Ivan Danko (Arnold Schwarzenegger). He follows a drug dealer from Moscow to Chicago, where he's matched up with city cop Art Ridzik (James Belushi), whose work ethic is considerably more relaxed. Most of the humor revolves around Danko's grumpy reaction to good ol' American capitalism, while Ridzik urges him to chill out. Red Heat is not bad as action ...
Editorial Product Review: :The first of many in a series depicting the harrowing prison existence of a convict who uses his wits and fists to survive. Leon Isaac Kennedy's character is thrown deep into the bowels of the prison system, where the only consistent truth is kill or be killed. To show his strength and gain respect from the other inmates, Kennedy must distinguish himself as a boxer, taking on all comers to save his own skin and regain his pride as a human being. Surprisingly effective in its harsh detailing of violent ...
Editorial Product Review: :Director Marita Giovanni's gay romantic comedy suffers all the earmarks of low-budget cinema--some uncertain performances, pedestrian plotting, and a bad theme song--and, despite some comic observation, never completely recovers from them. Loretta (Nancy Allison Wolfe) and Rachael (Liza D'Agostino) meet at a lesbian pit stop in Los Angeles, fall in love, and cause each other misery. Wolfe, playing a Woody Allen-ish neurotic, has a way with screenwriter Lauran Hoffman's wit and supplies most of the film's passing pleasures. The characters' emotions, however, soon seem to change from second to second: ...
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